Audio Examples for The Sense of Music
Part 5. The Classical Period
Mozart and the Classical Style
- C major triad
- Alberti bass
- Baroque version
- First four bars
- Not Mozart's completion
- Mozart's completion of initial phrase
- La ci darem la mano
- Vedi non e lontano
- But he still might be tricking me
- Come my pretty delight
- I feel pity for Masetto
- Come, come
- There you'll say yes
- He still might be tricking me
- Zerlina's wavering melody
- Intro tune from orchestra
- Be silent my unjust heart
- Orchestra returns, bouncy
- Elvira, orchestra laughing
- Undertone theme
- Don Giovanni love song
- Leporello Rido Rido
- Orchestra, original melody
- D major chord
- Cadence on D
- Possible transition theme
- Exposition 1st theme
- Exposition transition theme
- Exposition 2nd theme
- Development
- Recapitulation, return 1st theme
Haydn
- First statement of first theme
- Lefthand beats with high notes
- Melody up to strong beats
- Second theme, C major
- Development arpeggios
- Exposition first theme
- Transition theme
- Second theme, V key
- Recapitulation, return to first theme
- Recapitulation, return to second theme
- Upward-climbing motive
- Certain-sounding phrases
- Haydn's rhythm
- Folk-song rhythm
Beethoven
- Beethoven Appassionata opening statement
- Haydn F Major Sonata opening statement
- Rhythmic figure
- Haydn variation on original
- Beginning of first theme, F-minor chord
- Beginning of second theme
- Melody heard in measures 51 and 52
- Pattern to relax tension
- Most famous four-note motive
- Continuing motive
- Edges rounded
- Reversed
- Single note
- Rising pattern
- Part of broken chord
- First theme statement
- Intro to second theme
- Second theme
- Basses and violas theme
- Basses and violas theme 2
- Fanfare melody
- Last note cut off
- First notes cut off
- Recapitulation, return to opening theme
- Downward stair-step
- Stair-step begins to climb
- Fragmenting of climbing theme
- Polyphonic and homophonic
- Repeated falling motive
- Beklemmt melody
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